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Primary sources

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64---. “Museum Displays ‘Fantastic’ in Art.” New York Times (July 30, 1941).

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66---. “Show Lists Works of Surrealist Art: Paintings of Rene Magritte Are Seen for First Time Here at Julien Levy Gallery.” New York Times (January 8, 1936).

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82---. “The Battle of the Surrealists.” New York Sun (December 19, 1936).

83---. “The Classic Dalí.” New York Sun (April 26, 1941).

84---. “Dalí and Miró.” New York Sun (November 11, 1941).

85---. “The Magic Realists.” The New York Sun (February 12, 1943): 19.

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95---. “Paysage totémique I.” DYN 1 (April-May 1942): 46-50.

96---. “Paysage totémique II.” DYN 2 (July-August 1942): 42-47.

97---. “Paysage totémique III.” DYN 3 (Fall 1942): 27-31.

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102---. “Such Pulps as Dreams are Made Of.” VVV Almanach for 1943 1-2 (March 1943): 62-66.

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223Sawin, Martica. “Aux Etats-Unis.” In La Planète affolée. Surréalisme, dispersion et influences. 1938-1947. Paris: Flammarion, Musées de Marseille, 1986. 111.

224---. Surrealism in Exile and the Beginning of the New York School. Cambridge: MIT Press, 1995.

225Scheurich, Neil and Vincent Mullen. “Nathanael West’s Miss Lonelyhearts and the Problem of Suffering.” Pastoral Psychology 54:6 (July 2006): 571-579.

226Siegel, Ben (ed.). Critical Essays on Nathanael West. New York: G. K. Hall & Co., 1994.

227Simic, Charles, Dime-Store Alchemy, The Art of Joseph Cornell. New York: New York Review of Books, 2006.

228Tashjian, Dickran. Willliam Carlos Williams and the American Scene 1920-1940. New York: Whitney Museum of American Art / Berkeley, Los Angeles, London: University of California Press, 1978.

229---. A Boatload of Madmen, Surrealism and the American Avant-Garde 1920-1950. New York: Thames and Hudson, 1995.

230---. “Williams and Automatic Writing: Against the Presence of Surrealism.” William Carlos Williams Review 22:1 (Spring 1996): 5-16.

231Tyler, Parker. The Divine Comedy of Pavel Tchelitchew. New York: Fleet Club Corp., 1967.

232Veitch, Jonathan. American Superrealism, Nathanael West and the Politics of Representation in the 1930s. Madison: University of Wisconsin Press, 1997.

233Vieuille, Chantal. Kay Sage ou le surréalisme américain, biographie 1898-1963. Paris: Editions Complicités, 1995.

234Wayne E. Arnold. “Urban Spaces and Architecturally Defined Identity in Nathanael West’s Miss Lonelyhearts.” European journal of American studies [Online], Vol. 9, no. 2 | 2014.

235Waldman, Diane. Collage, Assemblage and the Found Object. New York: H. N. Abrams, 1992.

236Wallock, Leonard. New York, Culture Capital of the World 1940-1965. New York: Rizzoli, 1988.

237Waltz, Robin. Pulp Surrealism, Insolent Popular Culture in Early Twentieth-Century Paris. Los Angeles: University of California Press, 2000.

238Weaver, Mike. William Carlos Williams: The American Background. Cambridge: Cambridge University Press, 1971.

239Weld, Jacqueline Bograd. Peggy, the Wayward Guggenheim. New York: Dutton, 1986.

240Watson, Steven. “Introduction.” Charles Henri Ford and Parker Tyler. The Young and Evil (1933). New York: Richard Kasak, 1996. n.p.

241Wechsler, Jeffrey. Surrealism and American Art, 1931-1947. New Brunswick (N. J.): Rutgers State University, 1976.

242White, Eric B. Transatlantic Avant-Gardes: Little Magazines and Localist Modernism. Edinburgh: Edinburgh University Press, 2013.

243Winter, Amy. “Dynaton-The Painter/Philosophers.” In Dynaton. Before & Beyond. Ed. Frederick S. Weisman. Malibu: Museum of Art / Pepperdine University, 1991-1992.

244---. Wolfgang Paalen, DYN and the American Avant-Garde of the 1940s. PhD thesis, City University of New York, 1995.

245Zalman, Sandra. Consuming Surrealism in American Culture: Dissident Modernism. Farnham: Ashgate, 2015.

Periodicals

246The Booster, A Monthly in French and English. Dir. Henry Miller, Alfred Perlès and Lawrence Durrell (Paris, 1937-1938). Renamed Delta, A Monthly in French and English (Paris, 1938-1939).

247DYN. Dir. Wolfgang Paalen (Mexico, 1942-1944).

248Le Grand Jeu. Dir. Roger Gilbert-Lecomte, René Daumal and Roger Vailland (Paris, 1928-1930).

249Hémisphères. Dir. Ivan Goll (New York, 1943-1945).

250The Little Review. Dir Margaret Anderson and Jane Heap (Chicago, New York and Paris, 1914-1929).

251Minotaure, revue artistique et littéraire. Dir. Albert Skira (Paris, 1933-1939).

252La Révolution surréaliste. Dir. Pierre Naville and Benjamin Péret, dir. André Breton (Paris, July 1924-1929).

253Surréalisme. Dir. Ivan Goll (Paris, October 1924).

254Le Surréalisme au service de la Révolution. Dir. André Breton (Paris, 1930-1933).

255This Quarter. Dir. Ernest Walsh and Ethel Moorhead (Milan, Monte Carlo, 1925-1927); dir. Edward W. Titus (Paris, 1929-1932).

256transition. Dir. Eugene Jolas (Paris, 1927-1930 and 1932-1938).

257Tropiques, revue culturelle. Dir. Aimé Césaire (Fort de France, 1941-1945).

258Vertigral. Dir. Eugene Jolas (Paris, July 1932).

259View, Through the Eyes of Poets. Dir. Charles Henry Ford (New York, 1940-1947).

260VVV, Poetry, Plastic Arts, Anthropology, Sociology, Psychology. Dir. David Hare (New York, 1940-1942).

Catalogues

261American Artists in Paris, 1918-1939. A Transatlantic Avant-Garde. Ed. Sophie Lévy. Berkeley, Los Angeles: University of California Press / Giverny : Musée d’Art américain, 2003.

262Dada, Surrealism and Their Heritage. New York, Museum of Modern Art, 27 March-9 June 1968. New York: Museum of Modern Art, 1968.

263Fantastic Art, Dada, Surrealism. New York, Museum of Modern Art, 7 December 1936-7 January 1937. New York: Museum of Modern Art, 1936.

264First Papers of Surrealism. Whitelaw Reid Mansion 14 October-7 November 1942. New York: Coordinating Committee of French Relief Societies Inc., 1942.

265Joseph Cornell et les Surréalistes à New York, Dalí, Duchamp, Ernst, Man Ray… Ed. Matthew Affron and Sylvie Ramond. Lyon: Musée des Beaux-Arts, 18 October 2013-10 February 2014. Paris: Hazan, 2013.

266La Révolution surréaliste. Paris, Centre Pompidou, 6 March-24 June 2002. Paris: Editions du Centre Pompidou, 2002.

267Les Surréalistes en exil et les débuts de l'école de New York. Ed. Carlos Ortega et al. Strasbourg: Musées de Strasbourg, 2000. 359-370.

268Matta. Paris, Centre George Pompidou, 3 October-16 December 1985. Paris: Editions du Centre Pompidou, 1985.

269Matta-Onslow Ford. Shared Visions. San Francisco: Weinstein Gallery, June 2003.

270Modernités plurielles, 1905-1970. Ed. Catherine Grenier. Paris: Centre Pompidou, 23 October 2013-26 January 2015. Paris: Editions du Centre Pompidou, 2013.

271Paris-New York. Paris, Centre Georges Pompidou, 1977. Paris: Gallimard, 1991.

272Surrealism and American Art. New Brunswick: Rutgers University Art Gallery, 1977.

273Surrealism and Its Affinities: The Mary Reynolds Collection. Chicago: Art Institute, 1956.

274Surrealism USA. Ed. Isabelle Dervaux. New York: National Academy Museum, 2004.

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BibliographyMiranda [Online], 14 | 2017, Online since 04 April 2017, connection on 29 March 2024. URL: http://journals.openedition.org/miranda/9878; DOI: https://doi.org/10.4000/miranda.9878

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