1This issue of Miranda is divided into two parts, a division which, paradoxically, brings together the three disciplines which in France are taught under the heading of English Studies: linguistics, literature and cultural studies. In the fields of literature and cultural studies, there has been a marked increase in scholarly awareness of the cultural importance of the visual arts, such as painting, photography and film, but so far very little attention has been paid to the field of ceramics. The arrival in Toulouse of visiting professor Dr. Penny Collet of La Trobe University (Bendigo), a specialist in art education and curator of the F.M. Courtis Collection of Australian art, provided a pretext to make some modest amends for the neglect of this particular aspect of English visual culture.
2Celebrating Ceramics was originally the title of an international conference organized by Laurence Roussillon-Constanty and Helen Goethals in Toulouse in March 2011. The conference was held at the Musée Georges-Labit, which houses the elegant and eclectic collections of the nineteenth-century French dandy and traveller, Georges Labit (1862-1899). The unusual Moorish architecture of the museum, with its well-stocked library and tropical garden, provided an appropriately Orientalist setting for a conference focused on ceramics in the English-speaking world.
3Conferences can make things happen that other meetings cannot. Those who were there in March were able to exchange ideas, not least those that sprung from the specially-tailored tour of the ceramic collection in the Georges-Labit museum and from the privileged visit of the workshop of Sylvian Meschia, an internationally acclaimed ceramist who works in the Toulouse region. But when, as here, such ideas are recast into articles for peer-reviewed publication, fresh insights and new connections occur.
4Not all the papers from the conference were selected to appear as articles: some await publication, perhaps in a future issue of Miranda. Nor are all the articles featured here based on papers given at the original conference. Two specialists of the historical world of the English collector were unable to attend the conference, and we are delighted that what they would have liked to say on the day can now join some of the original papers in a virtual world of shared knowledge. We are also proud to be able to include in this issue of Miranda, a review of Magpies, Squirrels and Thieves: How the Victorians Collected the World. The author, Jacqueline Yallop, was called away from the conference at the last minute, in order to go to London to launch the book in question.
5From spoken exchange to published article, these wide-ranging papers will, we hope, create a new and ongoing interest in the practice and products of the ceramic arts, and a better understanding of their place in the history and literature of the English-speaking world.
Helen Goethals, « Preface », Miranda [Online], 7 | 2012, Online since 20 December 2012, connection on 24 March 2017. URL : http://miranda.revues.org/4361 ; DOI : 10.4000/miranda.4361Top of page
Top of page
Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.